The Spectator (1711)
London, John Baker, Used - Very Good. VG hardback in black half-leather. Lawrie and Company, Edinburgh printer. Hardcover, with dust jacket. A collection of pieces from the popular Eighteenth century journal, 'The Spectator' not to be confused with the more modern title. Block printed with printer marks at the foot of the pages. A fascinating glimpse into the preoccupations and opinions of Britons in the early s. These pieces are from June 3rd to September 2. Leather bound. The boards are much worn all about.
They are sturdy and secure. The spine is also worn and fit. Within, the pages, especially taking the books age into account, are pleasing, clean, clear, comfortable and generous. Chapter 1 Professional seller. Catalogue: Journalism. Thomas Bosworth, London. Four volumes complete. A most pleasing, clubbable set. All are quarter bound in leather.
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Marbled boards. The edges and corners of all are worn - but genially so. The spines are comfortable and attractive. Volume I: - Introductory and Critical preface. Dates are of the Julian calendar. Hence the dating is in the new style. Contents: Thursday, March 1, - Friday, August 24, Marbled page trims. The frontis and end papers are foxed. The pages are very clean and clear and genial. Condition as with volume I. The back cover has wear and the corners thereof are knocked.
Otherwise condition is as with Volume I. A benign and placid copy. The contents have some age related storage marks. The leather corners are much worn. The guttering along the printers page is ajar. The contents are secure, generous, engaging. Considering the fact that this book is close to years old, it is remarkably well preserved.
The boards are shelf rubbed, edge worn and marked, with some tearing along the edges of the spine.
Despite this, the boards remain strong and square. Internally, there is a previous owner's signature on the title page dated There are no other ink markings, although the pages within are marked and tanned throughout. This does not affect the legibility. Tightly bound. London, , First Edition.stephenhardy.me/wymyn-honda-xl-250.php
The Sir Roger de Coverley papers: from The Spectator online
Book Soft cover , Near Fine, Near fine in original wrappers. With the Literary Supplemtn as issued. Complete issue. Very Good. New York, M. Pictorial Card, Folio - over 12" - 15" tall. Magazine, Light rubbing and corner bumping, no shelfwear, but crease on forward edge resulting from bump, and slight curl. Interior is tight and unmarked. First Used Books Professional seller. Catalogue: Magazine.
Magazine, Moderate rubbing and shelfwear, outer corners curled. The Works of Joseph Addison. Volume 1 ; Plays, Poems, Medals Etc. De Alkenaer Professional seller.
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Catalogue: Literature: English. Chicago, Scott, Foresman and Co. Gray boards have light wear. Pages are clean, text has no markings, binding is sound. Top Notch Books Professional seller. Minor edge wear. Oxford, Modesty is in itself a commendable quality, but in Captain Sentry it becomes a fault, because it interferes with his advancement. But the greatest hindrance that an enthusiastic temperament would have presented to Addison's work is that it would have spoilt his method.
His aim he declared roundly to be 'the advancement of the public weal', [Footnote: Spectator 1. He has tried, he tells us, to 'make nothing ridiculous that is not in some measure criminal'; [Footnote: Spectator Addison's humour is perfectly frank and humane; himself a Whig, he has given us a picture of the Tory Sir Roger which has been compared to the portrait of our friend Mr. Sir Roger put to silence and confusion by the perversity of the widow and her confidant, [Footnote: Spectator Addison's humour has a 'grave composure' [Footnote: Elwin.
This was the man; and he found the instrument ready to his hand. There was now a large educated class in circumstances sufficiently prosperous to leave them some leisure for society and its enjoyments. The peers and the country squires were reinforced by the professional men, merchants, and traders. The political revolution of had added greatly to the freedom of the citizens; the cessation of the Civil War, the increased importance of the colonies, the development of native industries, and the impulse given to cloth-making and silk-weaving by the settlement of Flemish and Huguenot workmen in the seventeenth century had encouraged trade; and the establishment of the Bank of England had been favourable to mercantile enterprise.
We find the Spectator speaking of 'a trading nation like ours. Dunton, Steele, and Defoe had modified the periodical literature of the day by adding to the newspapers essays on various subjects. The aim of the Tatler was the same as that of the Spectator , but it had certain disadvantages. The press censorship had been abolished in , but newspapers were excepted from the general freedom of the Press. A more important disadvantage lay in the character of Steele, who did not possess the balance and moderation required to edit such an organ.
Unlike Addison, he was not a true son of his century. He was enthusiastic and impulsive, fertile in invention and sensitive to emotion. His tenderness and pathos reach heights and depths that Addison never touches, but he has not Addison's fine perception of events and motives on the ordinary level of emotion. He could not repress his keen interest sufficiently to treat of politics in his paper and yet remain the impartial censor. So the Tatler was dropped, and the Spectator took its place. This differed from its predecessors in appearing every day instead of three times a week, and in excluding all articles of news.
The machinery of the club had been anticipated in by John Dunton's Athenian Society, which replied to all questions submitted by readers in his paper, the Athenian Mercury.
This was succeeded by the Scandal Club of Defoe's Review , and the well-known club of the Tatler , which met at the Trumpet; [Footnote: Tatler ] but the plan of arranging the whole work round the doings of the club is a new departure in the Spectator. It is in these periodicals that we first find the familiar essay.
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Its only predecessors are such serious essays as those of Bacon, Cowley, and Temple, the turgid paragraphs of Shaftesbury, the vigorous but crude and rough papers of Collier, and the 'characters' of Overbury and Earle. These 'characters' had always been entirely typical; they were treated rather from the abstract than from the human point of view, and had no names or other individualization than that of their character and calling.
In some of the numbers of the Spectator we still find these 'characters' occurring, such as the character of Will Wimble, [Footnote: Spectator The Tatler and the Spectator very greatly extended the range of essay-writing, and with it the flexibility of prose style; it is this extension that gives to them their modern quality. Nothing came amiss: fable, description, vision, gossip, literary criticism or moral essays, discussion of large questions such as marriage and education, or of the smaller social amenities—any subject which would be of interest to a sufficiently large number of readers would furnish a paper; as Steele wrote at the beginning of the Tatler , 'Quicquid agunt homines nostri libelli farrago.
Appendix IV. The nature of the work was determined throughout by its strongly human interest. It is significant as standing between the lifeless 'characters' of the seventeenth century and the great development of the novel. Thackeray calls Addison 'the most delightful talker in the world', and his essays have precisely the charm of the conversation of a well-informed and thoughtful man of the world.
Related Sir Roger de Coverley Papers: From the Spectator (With Introduction and Thorough Notes)
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